FOUR WEEK SESSION - JUNE 20 TO JULY 18, 2026 for Violinists
TWO WEEK SESSION - JULY 4 TO JULY 18, 2026 for Violinists and Cellists
For Violinists The Junior String Academy is geared towards the intermediate level of violin playing. There is no minimum age but students must be playing at the Bach A Minor Concerto level or above and be able to practice 2 to 3 hours/day. Junior String Academy students will have two lessons/week, additional helper lessons, chamber music ensemble, and master classes. All the Summer String Academy activities will be open to Junior SA students. Violinists can enroll for a 4 week session from June 20 to July 19 or a 2 week session from July 4 to July 18.
For Cellists The Junior String Academy is offering a two week program for cellists. (July 4 to 18) There is no minimum age but students must be at the Vivaldi Sonata in E Minor level or above and be able to practice 2 to 3 hours/day. The participants will have two lessons/week, additional helper lessons, chamber music ensemble, and master classes. All the Summer String Academy activities will be open to Junior SA students.
Junior String Academy students must be accompanied by a parent and live off campus. Practicing must be done at home. Students coming from out of Bloomington will be responsible for finding their own housing. Parents will be responsible forremaining with students and accompanying them to and from ALL rehearsals, lessons, master classes, and concerts.
Academy Faculty
Mimi Zweig is currently Professor of Violin at the Jacobs School of Music and Director of the Indiana University String Academy. Since 1972 she has developed pre-college string programs across the United States. She has given master classes and pedagogy workshops in the United States, Mexico, Canada, Israel, Japan, Argentina, Brazil, Bolivia, Chile and Europe. She has produced Mimi Zweig StringPedagogy.com, an innovative web-based teaching tool, which is being accessed worldwide. In the spring of 2006, American Public Television released the Emmy-nominated documentary, Circling Around — The Violin Virtuosi, featuring String Academy students. Her students have won numerous competitions and teach and perform worldwide.
Brenda Brenner is Professor of Music Education in the IU Jacobs School of Music, Co-Director of the IU String Academy and the Jacobs School of Music Associate Dean. She recently completed her tenure as President of ASTA (American String Teachers Association). She specializes in the area of string music education, teaching applied violin and courses in violin and string pedagogy. Her String Academy students have been featured in concerts in major venues throughout the United States and Europe. Prior to her arrival at IU, Dr. Brenner was Assistant Professor of Music at Carleton College. Active as a performer, she received her Doctorate in Musical Arts in Violin Performance from the Eastman School of Music, where she studied with Sylvia Rosenberg, Donald Weilerstein, and the Cleveland Quartet. A member of the award-winning Augustine Quartet, she was a finalist or prize winner in several competitions, including the Banff International Quartet Competition, Concert Artists Guild, Fischoff National Chamber Music Competition, and Cleveland Competition, and has worked with the Cleveland, Toyko, Juilliard, American and Emerson Quartets.
ViolistAndrew Braddock’steaching and performing career has recently taken him to the Sejong Center in Seoul, South Korea, the National Concert Hall in Taipei, Taiwan, and the International Viola Congress in Rotterdam. A passionate educator, he has given masterclasses at Vanderbilt University, the Chinese Culture University in Taipei, Taiwan, Bowling Green State University, and many others. He teaches at Western Kentucky University (WKU) and is the co-director of the WKU String Academy. In the summers, he teaches at the Indiana University Summer String Academy and directs the WKU Summer String Institute, an intensive summer camp for students ages 4 to 18 based around chamber music and orchestral performance. His creative teaching led him to co-found Bridging Cultures with Music, a 501(c)(3) organization that supports various pedagogical and outreach programs in his community and abroad.
Research, writing, and intellectual discovery are central to his artistic mission. His writings have appeared in publications such asThe Stradand theJournal of the British Music Society. He is currently the editor of theAmerican Suzuki Journal,a quarterly publication of the Suzuki Association of the Americas. From 2017 to 2021, Dr. Braddock was the editor of theJournal of the American Viola Society, the most prominent peer-reviewed publication for viola scholarship. The journal presents musicological and music theory research relating to the viola, in addition to pedagogical insights and current reviews. Most recently, Dr. Braddock spearheaded an issue devoted to the 40th anniversary of George Rochberg’s viola sonata, examining it from various musicological, historical, and theoretical perspectives. He previously served as the journal’s New Music Editor and on the board of the American Viola Society. He is the principal violist of the Paducah Symphony Orchestra, and he regularly plays with the Nashville Symphony and the Nashville Opera. He holds degrees from Indiana University, Vanderbilt University, and the University of Kentucky. His principal teachers are Atar Arad, Kathryn Plummer, and John Graham. He plays a viola made by Giovanni Pistucci, ca. 1920.
Gwen Chan holds a Master of Music from the Indiana University Jacobs School of Music, where she studied with Mimi Zweig, and a Bachelor’s degree from the Eastman School of Music. Her performing experience includes work both as soloist and orchestral musician, and she is active as a chamber musician. She has extensive experience as a teacher both at the college and pre-college levels, and also serves as violin and viola faculty at Anderson University. Her students have included prizewinners in both local and state competitions.
Violinist Ching-Yi Lin’s recent performances and masterclasses have taken her to the Barratt Due Institute of Music in Norway, the Shenyang and Xi’an Conservatories in China, Northwestern University, and the University of British Columbia. She’s also performed in New York on the Museum of Modern Art’s Summer Garden Series, at Sejong Center in South Korea, and in Taiwan at the National Concert Hall in Taipei. Her recent album on MSR Classics features sonatas for violin and piano by Charles Ives, William Bolcom, and John Corigliano. In reviewing the album, Gramophone noted the “panache and warmth” of Ms. Lin’s playing and described her interpretations as “a series of tender, lively, and challenging conversations.” A dedicated and creative teacher, Ching-Yi Lin is Associate Professor at Western Kentucky University and also serves on the faculty at the Indiana University Summer String Academy and the WKU Summer String Institute. She is also the concert master of Paducah Symphony.
Pasha Sabouriis one of the most sought after and respected American violin pedagogues of the new generation. He has performed in recitals and concerts in Holland, Sweden, Austria, Germany, UK, throughout the United States and Canada. A passionate educator and a published author whose acclaimed book “Upbeat” guides middle and high school students and their families on the road to professional musical education and career. His students are competing and featured in such competitions and media outlets as Menuhin Competition, Sphinx Competition, Dallas Symphony’s Lynn Harrell Competition, ENKOR Competition, and NPR’s From The Top, winning the coveted “Jack Kent Cooke” Award.
Based in the San Francisco Bay Area, his primary focus is his highly successful private studio. Pasha Sabouri is on the faculty of the San Francisco Conservatory of Music Pre-College. He has also had the privilege to serve as Adjunct Professor at Concordia College as well as Artistic Director at the Concordia College Music Academy in Austin, Texas. Prior to this position, he was appointed Lecturer Violin Professor at Centenary College in Shreveport, Louisiana and has also been faculty at Encore Chamber Music Institute, Omaha Conservatory of Music Institute, the Brian Lewis Young Artist Program, and has adjudicated at Carnegie Hall NYO/2 program, Jack McGehee and UT Concerto Competitions.
2026 Fees and Deadlines
Fees:
Tuition (4-week program): $1900
Tuition (2-week program): $1000
$100 non-refundable audition fee due at registration (credited towards tuition)
Do not select tuition or housing option until you have receive notification of acceptance
Commuter Meal Plan (optional): 2026 rates coming in late 2025
Deadlines:
Registration and Audition Due: April 10, 2026
Financial Aid Application Due: April 13, 2026
Notification of Acceptance and Financial Aid: April 21, 2026
Confirmation of Acceptance and Tuition Due: May 1, 2026
Participant Forms Due: June 1, 2026
*To be considered for Financial Aid, you must complete your registration, paying only the non-refundable registration fee, prior to submitting your financial aid application.
Financial Aid
Those looking to apply for need-based financial aid should indicate their intent to do so on their program registration form.
The family must complete theFinancial Aid application and submit the required supporting documents to the Jacobs Academy Office via a provided secure upload link.
The Jacobs Academy Coordinator will contact you if further supporting documentation is needed for the committee review.
*Please be aware that late applications for financial aid will not be accepted.
Financial Aid Application Deadline: April 13, 2026
Audition Requirements
Two pieces of contrasting character. Provide links to unedited recordings; YouTube links are accepted. (Note: the audition portal requires a file upload; please paste your YouTube links into a Word document or other text file and upload that file to the portal.)
Letter of Recommendationfrom student's principal teacher
How to Apply
REGISTRATION FOR SUMMER 2026 WILL OPEN IN DECEMBER 2025
Students are encouraged to apply early. Applicants who need an early decision due to an invitation from another program should contact Prof. Mimi Zweig, director atzweig@iu.edu. An early acceptance from the Summer String Academy is usually possible if admission is certain.
Eligibility: Intermediate violinists and cellists whose parent can accompany them for the duration of the program.
Registration: Complete the online registration form and pay only the Non-Refundable Registration Fee - $100.
Your audition will not be reviewed if the registration fee is not paid.
Do not pay tuition until you have received your letter of acceptance.
Save your login information so you can easily go back to edit your registration/tuition payment upon acceptance.
If openings exist, the deadline may be extended for qualified applicants.
Audition:Upon paying the registration fee, you will then need to upload audition materials through the Jacobs School of Music Audition Portal. Please create a guest account if you do not already have one and select the "Jacobs Academy - Summer Junior String Academy" option. (If you have issues accessing the audition portal please emailmusicsp@iu.edu)